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Follow Us. Samantha Masunaga covers aerospace for the Los Angeles Times.
She has previously worked for the Oregonian, the Orange County Register and the Rafu Shimpo, among other publications. More From the Los Angeles Times.
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In just a few short years, the group—Wilbur, fellow horn player Wenzl McGowen, and drummer James Muschler—has gone from playing on New York City subway platforms to touring with the likes of Beats Antique, They Might Be Giants, and Lotus, as well as selling out their own headline shows in major venues around the country.
That evolution expresses itself as focus, and through focus comes our energy.
Parent Rating:. This program celebrates them, and we hope it inspires generations too young to have experienced Apollo firsthand to define their own moonshot. Check back soon. World History. Variously, they dropped out of school, took on debt, and abandoned efforts towards safer careers.
The album opens with the tribal urgency of the title track and proceeds, over the next 45 minutes, to utterly demolish any and every possible barrier that could stand between your ass and the dance floor. Then Wenzl acquired a baritone sax and we all started getting into music production and incorporating electronic music into our live shows. The event, which is free to the public, was commissioned by the Smithsonian National Air and Space Museum and is being produced by Fifty-Nine Productions in partnership with the U. Department of the Interior.
Boeing and Raytheon are also contributing funds. The projection on the east face of the Washington Monument will be visible on July 16, 17, and 18 from pm to pm as a preview before the full show in the following days. The artwork celebrates the hundreds and thousands of people who worked tirelessly to make this extraordinary mission possible. Their dedication along with those of their successors have allowed remarkable advancements in space exploration over the past fifty years, giving truth to the statement that: the sky is no longer the limit.